French 1594-1665 Nicolas Poussin Galleries The finest collection of Poussin's paintings, in addition to his drawings, is located in the Louvre in Paris. Besides the pictures in the National Gallery and at Dulwich, England possesses several of his most considerable works: The Triumph of Pan is at Basildon House, near to Pangbourne, (Berkshire), and his great allegorical painting of the Arts at Knowsley. The later version of Tancred and Erminia is at the Barber Institute in Birmingham. At Rome, in the Colonna and Valentini Palaces, are notable works by him, and one of the private apartments of Prince Doria is decorated by a great series of landscapes in distemper. Throughout his life he stood aloof from the popular movement of his native school. French art in his day was purely decorative, but in Poussin we find a survival of the impulses of the Renaissance coupled with conscious reference to classic work as the standard of excellence. In general we see his paintings at a great disadvantage: for the color, even of the best preserved, has changed in parts, so that the harmony is disturbed; and the noble construction of his designs can be better seen in engravings than in the original. Among the many who have reproduced his works, Audran, Claudine Stella, Picart and Pesne are the most successful.  Related Paintings of Nicolas Poussin :. | Realm of Flora | Bacchanal before a Statue of Pan | jerusalems erovring | Ruhe auf der Flucht nach agypten | The Rape of the Sabine Women |
Related Artists:
Charles Schreyvogel
American Painter, 1861-1912,was a painter of Western subject matter in the days of the disappearing frontier. Schreyvogel was especially interested in military life. He spent most of his life as an impoverished artist. He suddenly became recognized and earned what seemed like overnight fame. He was born in New York City. He also spent much of his childhood in Hoboken, New Jersey. He grew up in a poor family of German immigrant shopkeepers on the Lower East Side of New York. Schreyvogel was unable to afford art classes and he taught himself to draw. In 1901, he was awarded the Thomas Clarke Prize at the annual exhibition of the National Academy of Design. Schreyvogel did much of his work in his studio (or its rooftop) in decidedly non-Western Hoboken.
Jacopo Tintoretto
1518-1594 Italian painter. His father was a silk dyer (tintore); hence the nickname Tintoretto ("Little Dyer"). His early influences include Michelangelo and Titian. In Christ and the Adulteress (c. 1545) figures are set in vast spaces in fanciful perspectives, in distinctly Mannerist style. In 1548 he became the centre of attention of artists and literary men in Venice with his St. Mark Freeing the Slave, so rich in structural elements of post-Michelangelo Roman art that it is surprising to learn that he had never visited Rome. By 1555 he was a famous and sought-after painter, with a style marked by quickness of execution, great vivacity of colour, a predilection for variegated perspective, and a dynamic conception of space. In his most important undertaking, the decoration of Venice's Scuola Grande di San Rocco (1564 ?C 88), he exhibited his passionate style and profound religious faith. His technique and vision were wholly personal and constantly evolving.
Johann Jakob Biedermann
b Winterthur, 7 Oct 1763; d Aussersihl, Schwyz, 10 April 1830